From left: Barry X Ball, Baby at the Breast, 2013 - 2019, Translucent golden honeycomb calcite, sculpture/pedestal: 64 3⁄4 x 33 x 33 in (164.6 x 84.1 x 84.1 cm); Cy Twombly, Untitled (New York City),1956, Oil based house paint, wax crayon and pencil on canvas, 26 3⁄4 x 56 in (68 x 142.2 cm); Barry X Ball, Yvette Guilbert, 2013 - 2019, Ultra-translucent white Mexican onyx, sculpture/pedestal: 69 3⁄8 x 33 1⁄8 x 33 1⁄8 in (176.3 x 84 x 84 cm).

Cy Twombly & Barry X Ball: A History of Painting and Sculpture

Installation view: Barry X Ball. Purity and Envy: An Intimate Allegory, Nomad St. Moritz (1-6 March 2022), photograph by Federico Floriani.

McCabe presents Barry X Ball at Nomad St. Moritz March 2022

From left: Nicolas Party, Pink Portrait, 2018, Pastel on paper, 31,4 x 23,6 in, Cindy Sherman, Untitled Film Still #83, 1990, Gelatin silver print, 49 x 39 x 4 in framed, Duane Hanson, Portrait of Kim, 1994, Mixed media, Life scale, Jean-Michel Basquiat, Untitled, (Nitrogen Oxygen), 1980-1985, Acrylic and printed-paper collage on canvas, 29 x 25 in.

FIGURES AND FACES

From left: Nicholas Hlobo, Wazibelek emhlane izithende, 2013, ribbon, rubber on canvas, 47.2 x 70.8 x 1.9 in. (120 x 180 x 5 cm). Lucio Fontana, Concetto Spaziale, Attese, 1963-64, waterpaint on canvas, 16.7 x 16.7 in. (42.5 x 42.5 cm). Dianna Molzan, Untitled, 2015, oil on canvas, 72 x 5 x 2 1/2 in. (182,9 x 12,7 x 6,4 cm). Blair Thurman, Road Trippin’ Rte. 66 (Westworld), 2016, acrylic on canvas on wood, 53.5 x 54 x 8.3 in. (135.9 x 137.2 x 21 cm).

SHAPING THE CANVAS

Left: Louise Nevelson, Untitled, 1976 ca, black painted wood, 84,6 x 37 in. (215 x 94 cm). Right: Louise Nevelson, Untitled, 1976 ca, black painted wood, 84,64 x 37 in. (213 x 95,5 cm) © Louise Nevelson / Bildupphovsrätt 2017

LOUISE NEVELSON: SELECTED WORKS

From Left: Damien Hirst, Saint Bartholomew, Exquisite Pain, 2006, bronze, 98.4 x 43.3 x 37.4 in (250 x 110 x 95 cm); Robert Mapplethorpe, Sleeping Cupid, 1989, Gelatin Silver Print, 24 x 20 in. (60.96 x 50.8 cm); Barry X Ball, Envy, 2008 – 2016, Italian Portoro Marble and stainless steel, 22 x 17 1/4 x 9 1/2 in. (55.9 x 43.8 x 24.1 cm), pedestal assembly: Macedonian Marble, stainless steel, wood, acrylic lacquer, steel, nylon, plastic, 46 x 14 x 12 in. (116.8 x 35.6 x 30.5 cm)

CONTEMPORARY CLASSICISM

ROBERT MAPPLETHORPE: ICON

ROBERT MAPPLETHORPE: ICON

Left: Georg Baselitz, Nachtung, 2009, Oil on canvas, 250 x 200 cm (98.43 x 78.74 in); right: Georg Baselitz, Mondung, 2009, Oil on canvas, 250 x 200 cm (98.43 x 78.74 in)

GEORG BASELITZ: BLACK OUT PAINTINGS

Left to right: Daniel Turner, 5150 (1/10/12), 2012, bitumen emulsion, vinyl and wood, 16.5 x 14 x 1.5 in (41.9 x 35.56 x 3.81 cm); Rosemarie Trockel, Not Yet Titled, 2007, ceramic and platinum glaze, 11.13 x 22.5 x 10.25 in (28 x 57 x 26 cm); Nate Lowman, Open Container, 2012, resin, red wine, dirt, spray paint and polymer on canvas, 60 x 47 in (142.2 x 119.4 cm)

DRIP DROP THUD

Left: Marco Brambilla, Countdown (Apollo XVIII), 2015, Dual-screen video tile display in powder-coated custom enclosure with playback unit, 2:30s 4K color, sound, Edition of 3; Middle: Marco Brambilla, Ignition (Apollo XIII), 2015, Circular projection; Right: Marco Brambilla, Transmission - Frank Borman (Apollo VIII), 2015, Video display, powder-coated metal plinth with playback unit; Background: Marco Brambilla, Reconnaissance (Apollo VIII), 2015, Black and white photographic wallpaper

MARCO BRAMBILLA: APOLLO

Left: Christopher Wool, Untitled (Jazz Death), 2003, Enamel on linen, 96 x 72 in (243.8 x 182.8 cm); Right: Christopher Wool, Untitled, 1994, Alkyd on aluminum, 43 x 30 in (109.2 x 76.2 cm)

CHRISTOPHER WOOL: SELECTED PAINTINGS

Left: Barry X Ball, Purity, 2008–2013; Background: Barry X Ball, Perfect Forms, 2010–2014; Right: Barry X Ball, Envy, 2008–2010

BARRY X BALL: MASTERPIECES

Photographed by Patrik Lindqvist. © Damien Hirst/Science Ltd and McCabe Fine Art. All rights reserved, DACS 2014

DAMIEN HIRST: THE PSALMS

From Left: Daniel Buren, Untitled, 1972, Acrylic on canvas, 54.3 x 51.4 in (138 x 130.5 cm);

FORMAL ABSTRACTS

From Left: Alighiero Boetti, Untitled, 1989, Embroidery, 44.875 x 40.9375 inches (114 x 104 cm); Alighiero Boetti, Untitled, 1988, Embroidery, 42 x 43.75 inches (107 x 111 cm).

ALIGHIERO BOETTI: SELECTED WORKS

From left to right: Yoshitomo Nara, Untitled, 1989-1993; Untitled, 1991; Untitled, 1989-1993; Untitled, 1989-1993; Untitled, 1989-1993; Untitled, 1989-1993; Untitled, 1989-1993; Links Rum, 1999

YOSHITOMO NARA: A SELECTION OF 90'S PAINTINGS AND WORKS ON PAPER

Left to right: Josh Tonsfeldt, Untitled, 2013; Ben Schumacher, Long Lines 33, 2013; Ben Schumacher, Untitled, 2012; Ben Schumacher, One Calorie as Good as Another/Epoch Defining Broadcast (green), 2013

RELOCATION, REALLOCATION, STOCKHOLM

From Left: Claudette Schreuders, The Insider, 2009, Lime wood and enamel paint, 22.5 x 9 x 8.625 inches (57.15 x 23 x 22 cm) (image courtesy of the artist); Yoshitomo Nara, Missing in Action, 2000, Acrylic on canvas, 65 x 58.5 inches (165 x 149 cm)

LULLABY

From Left: Joseph Kosuth, Andy Warhol quote, 1968, Mounted photograph, 48 x 48 inches, (121.92 x121.92 cm); Paul McCarthy, Stainless Steel Butt Plug, 2007, Polished stainless steel, 35 x 22 x 16 inches, (88.9 x 55.9 x 40.6 cm); Roy Lichtenstein, Sunrise, 1965, Porcelain enamel on steel, 22.5 x 36 inches, (57.2 x 91.4 cm); Richard Prince, My Wife, My Wife, 2004, Cancelled checks and acrylic on canvas, 35.5 x 48 inches (90 x 120 cm)

FIRST SHOW